Reimagining the Great American Novel with Demon Copperhead by Barbara Kingsolver

This great epic novel is a captivating coming-of-age story that delves deep into the transformative journey of a young boy as he navigates through the painful challenges of his life as he gradually transitions into a man. The narrative beautifully intertwines themes of love, compassion, and greatness, painting a vivid picture of the protagonist's growth and development amidst a backdrop of adversity. However, the novel dares to explore the darker aspects of human existence as well. It fearlessly depicts the debilitating effects of addiction, the harsh realities of poverty, and the profound pain that can accompany the pursuit of one's dreams. Through its poignant storytelling, this remarkable work of literature offers a nuanced exploration of the complexities of life, resonating with readers on a deeply emotional level.

We follow Demon, a resilient young boy, as he navigates the treacherous landscape of a brutal and unforgiving world. Despite his tender age, he possesses a remarkable strength that propels him forward in the face of adversity. His mother, a troubled soul trapped in the grip of addiction, grapples with an inner turmoil, torn between her love for her child and the seductive allure of the intoxicating high. Amidst the harsh backdrop, Demon finds solace in the company of his neighbors, the Peggots, whose humble abode becomes a sanctuary for him. Within the Peggot's worn walls, a flicker of hope and companionship burns brightly as Demon's best friend, Maggot, kindly resides.

But as Demon’s mother meets a new man, Stoner, his life falls appart and he is thrown into the world, with no hope but to survive it.

This book has captivated many hearts and mine is no indifferent to the adventures of the characters of this book. We follow many characters, them growing up, going away, and growing appart from each other. We see how the evolve and they love and hate. But what we also see is the a town, deep in ruin of the history that they have had tu suffer.

Addiction and poverty is what rules the town, not love, although that is everything Demon and the other struggling children want. In a world where durgs are passed on as easily as candy, and where pain demands it, Demon falls into the deep darkness of addiction. Oxytosin, Fentanyl, meth, heroin, all of those names are mentioned in this story, and not always as a passing thought.

Barbara Kingsolver, rewrites what is thought to be the great american novel by writing what America really is. Addiction, poverty and most of all, collective pain. And in there, we meet sweet but non-too perfect Demon. A kid who is only trying to survive a day at a time.

Although we suffer in this book alongside Demon, we also read through his most intoxicating friendships and romances. We see him with Maggot, a trubled misunderstood child who is discovering who he is in a world where people do not respect him. Angus, who is only trying to survive a world where her father just wants a boy. Or Emmy a beautiful shining girl who although has finally found her place in the world, sometimes she makes mistakes.

All these characters feel real, they are real between the pages in this book, and until the end, you live with them, along through their journeys. Most most imporantly, we follow Demon’s journey to the ocean, his ultimate dream.

I cannot express how captivating this book was, it hypnotised me into a dream-like experiences where everything I wanted to do was jump into their world and hug every character. Kingsolver has absolutely written the Great American Novel, showing the truth and not just what we want to hear. Her masterful storytelling evokes a vivid and often uncomfortable portrayal of the human condition, challenging conventional beliefs and forcing readers to confront the harsh realities that persist in our society. With a meticulous eye for detail and a deep understanding of the complexities of human nature, Kingsolver crafts characters that are both relatable and deeply flawed, capturing the raw essence of the human experience. Through her powerful prose and thought-provoking themes, she unravels the layers of societal expectations and exposes the deep-rooted inequalities that still plague us. Her narrative not only entertains but also educates, encouraging readers to question their own assumptions and examine the world around them with a critical eye. Kingsolver's ability to blend literary excellence with compelling social commentary sets her apart as a true voice of our generation and leaves an indelible impact on her readers, long after they have turned the final page.

Who would I thought a philosophical comic sci-fi book would become a favourite - The Hitchhiker’s guide to the galaxy, Adam Douglas

I absolutely adore "The Hitchhiker's Guide to the Galaxy" by Douglas Adams. It's a brilliant blend of comedy, wit, and science fiction that has captivated me from the very first page. The comedic elements in the book are simply unparalleled, with Adams' unique style of humor shining through in every line. The absurdity of the situations, the quirky characters, and the clever wordplay never fail to make me burst into laughter. It's a book that keeps me entertained from start to finish, and I often find myself revisiting it just to relive the hilarity.

One of the things I love most about the book is its light-hearted nature. In a genre often filled with heavy themes and complex plots, "The Hitchhiker's Guide" stands out as a refreshing and enjoyable read. The story unfolds with a delightful sense of whimsy, and the characters' casual approach to the absurdity of the universe makes it all the more endearing. It's a reminder that sometimes, it's okay to not take everything too seriously and to find humor in the most unexpected places.

Another aspect that makes me cherish this book is the low stakes nature of the adventure. While the fate of the universe is at stake, the characters approach their predicaments with an almost nonchalant attitude. This juxtaposition of high-stakes events and laid-back characters adds a layer of irony and absurdity that is both amusing and thought-provoking. It's a reminder that even in the face of the unknown, it's possible to maintain a sense of humor and perspective.

"The Hitchhiker's Guide to the Galaxy" is also a masterclass in pacing. It's a fast-paced adventure that never drags, keeping me eagerly turning the pages. The rapid-fire dialogue, unexpected twists, and witty observations ensure that there's never a dull moment. I find myself engrossed in the story, eager to see what bizarre turn of events will happen next.

I was pleasantly surprised by my deep affection for "The Hitchhiker's Guide to the Galaxy" because, truth be told, I'm not typically a big fan of science fiction. However, Douglas Adams' remarkable talent for crafting a universe that felt as real as any other genre left me in awe. Despite its fantastical and absurd elements, the world he created was so immersive that I found myself completely engrossed in it.

This book transformed my perception of science fiction, opening up a new realm of appreciation for the genre. It showed me that science fiction can be as relatable and enjoyable as any other type of literature, and that its exploration of the human condition and the absurdities of existence can be incredibly rewarding. "The Hitchhiker's Guide" is a testament to the genre's versatility and its ability to resonate with readers from diverse backgrounds and preferences.

In the end, my journey with "The Hitchhiker's Guide to the Galaxy" not only deepened my love for this particular book but also broadened my horizons as a reader. It proved that a well-crafted story can transcend genre boundaries and captivate the hearts of those who may have never considered themselves fans of science fiction. It's a testament to the power of great storytelling and the magic of Douglas Adams' imagination.

Why Yellowface by RF Kuang has taken over the internet

After reading Babel, I was hesitant to pick up RF Kuang's new book, as it left me somewhat disappointed. However, the buzz surrounding the new release and the diverse opinions being shared online eventually swayed me to give it a chance. Although I initially doubted whether I would enjoy it, I decided to dive into Yelloweface, intrigued by a review that presented it as a departure from Babel, offering a fresh and distinct experience. 

Yelloweface proved to be a departure from its predecessor in more ways than one. While Babel offered a serious and intense narrative, Yelloweface takes a different path, embracing a lighter tone. It's important to recognize that Yelloweface isn't trying to replicate Babel; instead, it stands as a unique work in its own right. This distinction is vital for readers to understand and appreciate the novel for what it truly is. Do not expect to go into Yellowface and get a Babel, you will be disappointed if you do. Take it as it is: a fun satirical short novel.  

At the surface, Yelloweface appears to be a book about race and the publishing industry. However, its true essence lies in the deeper, thought-provoking conversations it initiates. The novel serves as a commentary on human behavior and the prevalent cancel culture in today's society. By skillfully intertwining these topics, RF Kuang crafts a narrative that compels readers to reflect on their own attitudes and actions.  

Once I began reading Yelloweface, I found it impossible to put down. The narrative's captivating storytelling and well-crafted characters kept me hooked throughout. What sets this book apart is its unapologetic portrayal of deeply flawed individuals. None of the characters are inherently likable, and this decision challenges readers to grapple with their biases and judgments while navigating the story. 

Yelloweface tackles sensitive issues related to race in the publishing industry with an unfiltered and audacious approach. It confronts uncomfortable truths, shining a spotlight on the complexities and challenges faced by marginalized authors in the literary world as well as the way the industry works, sometimes in a shallow and unapologetic way. Through the lens of fiction, the book serves as a mirror to contemporary society, prompting readers to confront their preconceptions and prejudices. 

In the age of social media and instant judgments, cancel culture has become a prominent aspect of our society. Yelloweface explores the consequences and complexities of cancel culture in a nuanced manner. The novel presents various perspectives on the subject, encouraging readers to question the validity and fairness of this phenomenon. Through its characters' experiences, the book raises important discussions on forgiveness, redemption, and the potential for personal growth. However, you cannot be in anyone’s side. If you do, you become a racist or in the other hand, you become a sensitive exaggerating person.  

Yelloweface is a book that demands attention and introspection. While different from Babel, it showcases RF Kuang's versatility as a writer and her ability to tackle significant social issues with finesse. Through a cast of flawed characters and a satirical lens, the novel sheds light on race, the publishing industry, and cancel culture. By delving into conscious conversations, Yelloweface urges readers to reevaluate their own beliefs and specially their behaviors in a world that is increasingly interconnected and fraught with complexities. Whether you were a fan of Babel or not, Yelloweface offers a distinct and impactful reading experience that deserves recognition and appreciation.  

Nabokov’s Gift

I know the title is a cliché, but having read "The Gift" by Vladimir Nabokov, I can confidently say that I attest to Nabokov having a truly underrated gift. I won't delve much into the book's content or my thoughts in this review. Instead, I'd like to express my deep admiration for Nabokov and how "The Gift" has become one of my new favourite novels by him.

As an avid reader and fan of Nabokov's intricate storytelling and brilliant prose, I approached "The Gift" with high expectations. And true to form, Nabokov did not disappoint. In this novel, he showcases his unparalleled ability to craft compelling narratives, create complex characters, and intertwine them with layers of symbolism and intellectual depth.

"The Gift" follows the story of Fyodor Godunov-Cherdyntsev, an aspiring writer in emigration in Berlin. Through Fyodor's experiences and interactions with various characters, Nabokov explores themes of art, exile, nostalgia, and the intricacies of human relationships. The novel is rich with literary allusions, wordplay, and Nabokov's signature attention to detail, making it a delightful and intellectually stimulating read.

What struck me most about "The Gift" is Nabokov's mastery of capturing the essence of human emotions. He portrays the longing, the yearning for artistic expression, and his characters' inner turmoil with such precision and sensitivity that it's impossible not to be moved. Nabokov's ability to evoke such profound empathy in his readers is a testament to his exceptional writing gift.

Moreover, "The Gift" serves as a love letter to the power of literature itself. Nabokov's passion for the written word is evident throughout the novel, as he weaves together narratives within narratives, blurring the lines between reality and fiction. His deep understanding and appreciation for storytelling shine through every page, captivating the reader and leaving them in awe.

As with many of Nabokov's works, "The Gift" requires careful attention and a willingness to immerse oneself in its intricacies. It rewards the patient reader with moments of sheer brilliance and intellectual satisfaction. Nabokov's prose is as elegant and enchanting as ever, carrying the reader through discovery and introspection.

In conclusion, "The Gift" is a testament to Vladimir Nabokov's exceptional writing talent. While the title may seem cliché, the novel is far from it. It is a testament to Nabokov's unique and underrated gift for storytelling. If you enjoy his works or appreciate literary brilliance, "The Gift" should find a place on your bookshelf. It has undoubtedly found a cherished place in my heart as one of my new favourite novels by this literary genius.

The mystical story of Kokoro - Natsume Soseki

In the realm of literature, certain narratives possess an enchanting allure, captivating readers with their profound messages and thought-provoking insights. Natsume Soseki's masterpiece, Kokoro, effortlessly falls into this category, intertwining mysticism and simplicity in a harmonious dance. Delving into the depths of human existence, this timeless novel unearths the profound themes of death, family, and love, leaving an indelible mark on the hearts and minds of its readers. Through its elegant prose and poignant storytelling, Kokoro offers a transcendent experience, inviting us to contemplate life's complexities and unravel the enigmatic tapestry of the human soul.

Within the pages of Kokoro, Natsume Soseki unveils a narrative that, despite its mystical essence, remains remarkably simple at its core. The story unfolds like delicate brushstrokes on a canvas, painting a vivid portrait of life's fundamental truths. Death, a looming presence throughout the novel, serves as a catalyst for introspection, pushing the characters to confront their mortality and grapple with the fragility of existence. Soseki skillfully intertwines this exploration of mortality with the intricacies of family dynamics, revealing the profound impact of relationships and the intricate web of emotions that bind us together. Moreover, the novel delves into the enigmatic realm of love, capturing its transformative power and its ability to illuminate the darkest corners of the human heart.

Soseki's prose, elegantly translated, exudes a timeless quality, resonating deeply with readers across generations. The author's mastery lies not only in his ability to create well-rounded characters that pulsate with life but also in his nuanced portrayal of the human condition. As we follow the journey of the protagonist and his encounters with the enigmatic Sensei, we are drawn into a world that is simultaneously familiar and mysterious, where the subtleties of human interaction take center stage.

To read Kokoro is to embark on a soul-stirring expedition, traversing the intricate labyrinth of the human spirit. Soseki's profound exploration of death, family, and love offers a profound reflection on the essence of our existence. The novel's power lies in its simplicity, inviting readers to pause and contemplate life's most profound questions. With each turn of the page, we are transported to a realm where the mundane and the mystical converge, leaving an indelible mark on our consciousness.

In conclusion, Kokoro is a magnificent work of literature that deserves a cherished place on any bookshelf. Its timeless themes and evocative storytelling continue to captivate readers, inviting them to delve deep into the recesses of their own hearts and minds. Natsume Soseki's exquisite prose and his exploration of death, family, and love make this novel a treasure to behold. Whether you seek introspection, profound emotion, or simply an exquisite tale, Kokoro will surely leave an indelible impression, reminding us of the beauty and complexity that resides within the human experience.

Was a Happy Place necessary? - Emily Henry

A happy place has been everywhere since it was announced that Emily Henry, Tik Tok’s favourite romance author, was coming out with a new rom-com. I had recently finished two of her books, Book Lovers and Beach Read, which I immensely enjoyed, so I was equally excited as the rest of the internet. I read it the second it came out and am now disappointed.

A Happy Place takes place in two periods: Happy Place and Real Life. One of which, the past, describes how the relationship between our two main characters started and eventually ended. And the other explains how they survive a week with all of their friends while fake dating to convince them that they are still together to get their friends married. As exciting as that might sound to some people, I was very disappointed when I found out after having expected a fake dating trope, that that was just a poor excuse to sell more titles. And worst of all, that marketing strategy made it even worse.

Emily Henry is not a wrong author; this story is not terrible. However, it lacked so much care, work, and depth that I hoped it would end soon. Yes, I enjoyed the parts where she wrote about their past and how their relationship had started and ended. There was no unnecessary fluff and no boring parts. I was pretty invested. It made sense and needed to be there. However, whenever we switched to real life, I felt the depth was thrown out the window. Not only was it scene after scene of unnecessary hormones and the worst, “Will they, will they not”, it was boring. Emily Henry was trying to create a fluffy romance, trying to go in-depth into the themes of love and, at the same time, trying way too hard to get the whole “Sally Rooney” essence of the friend group who explore human connections without actually examining the friend group nor the human relationships.

Following that, the side characters were not only dull but forgettable. I do not remember a single one of their names, nor do I know anything about any of them. The only thing I know is that one of them, I forget, had a father who has married many times (which, again, was never explored in the least). They were there to get the Sally Rooney-similar author’s target audience to join the Emily Henry scene, but, as a fan of both romance and the no-plot-just-vibes scene, I was disappointed in both parts. I don’t think the idea was terrible; I think it could have worked; if she had had fewer scenes of the world, they would not thing of the main characters and more of the genuine friendship being like family stuff.

Finally, the good stuff and the banter are terrific. Emily Henry knows how to write dialogue. I think it works, is funny, realistic and flowing, and it helped me get through the entire book without throwing it out the window.

In light of what I have said, if you are a fan of Henry’s books, you might enjoy this one. However, as a passive reader of her books, I did not like this one now I think I’ll be reading her next one.

Watching Books: Anna Karenina (2012) - not enough Levin.

Anna Karenina is a magnificent character, straddling the line between hero and anti-hero in Leo Tolstoy's timeless literary masterpiece. With Tolstoy's exceptional talent and reputation as one of the greatest authors in history and the creative vision of an esteemed director, Joe Wright, responsible for bringing my beloved Pride and Prejudice to life on screen, it's no wonder that the film adaptation of Anna Karenina is an absolute delight to watch.

Although the novel is a work of art, one that I will not forget and one that I will turn to many times, it is not perfect. Reading Anna Karenina has been an immersive journey, taking me on a rollercoaster of emotions through its captivating ups and downs. The depth, thoughtfulness, and pain is woven into Anna's story left a profound impression on me, and I know I'll never forget this unforgettable character. In the film adaptation, Keira Knightley's portrayal of Anna deftly captures the raw intensity of those painful moments, staying true to both the tone and the profound messages conveyed in the film. As for the rest of the characters, they feel natural and authentic to the story even when they almost feel like a caricature of the characters in the film, Oblonsky being my favourite.

Adapting an almost 1000-page book into a film is no small feat, as it inevitably involves leaving out crucial potlines and scenes that readers may consider integral to the story. While the film adaptation of Anna Karenina does an admirable job of capturing the essence of the most critical parts of the novel, those who relished in the intricate nuances of Levin's character and storyline - which, in my opinion, constitute almost the heart of Anna Karenina - will be left wanting, as they are sparsely represented in the film. Still, as a film, it was enough for me to carry the overall idea of the novel through.

The unconventional structure of the film adaptation of Anna Karenina, which adopts an almost play-like staging, may initially come across as jarring to some viewers. However, I found this creative decision to be a refreshing and effective way of emphasizing the story's dramatic intensity. It provides a unique visual language that effectively conveys the gravity of the characters' situations, lending an extra layer of emotional depth to their interactions. Admittedly, this stylized approach does verge on being excessive at times, but I feel that it ultimately captures the essence of Tolstoy's novel while also serving as an exceptional work of cinema in its own right.

Anna Karenina, both the novel and the 2012 film adaptation, is a rich and powerful exploration of the complexities of human relationships and the social norms that govern them. The story delves into the depths of passion, love, and societal expectations, revealing the devastating consequences of going against the rigid rules of society, especially for women. However, at the same time, it also extols the virtues of following one's heart, living authentically, and forging meaningful connections based on mutual respect and shared values. I found the film's creative and unconventional approach to be a captivating and thought-provoking work of art that effectively conveyed the novel's timeless message. The stunning visuals, masterful performances, and thematic depth left a lasting impression on me, making it a truly memorable cinematic experience.

In conclusion, while I thoroughly enjoyed the 2012 film adaptation of Anna Karenina, I do not believe it to be a perfect film. Though the creative and stylized approach was visually stunning, it did not always successfully capture the subtleties of Tolstoy's complex characters and their motivations. However, the film's superb acting, led by Keira Knightley's mesmerizing portrayal of Anna, more than made up for any shortcomings in the storytelling. As someone who has read the novel, I must admit that the book remains my preferred medium for experiencing Tolstoy's masterpiece, as it allows for a deeper exploration of the intricacies of the characters and their relationships. Nevertheless, the film is still remarkable, offering a unique and powerful interpretation of one of the most enduring stories in literary history.

Watching Books: Emma

As an ardent admirer of Jane Austen's literary works, I have always been captivated by the drama and beauty of her iconic novel "Pride and Prejudice," which I have recently reviewed. However, my recent viewing of the film "Emma" has completely altered my perspective on Austen's works, as it offers a fresh and hilarious take on one of her most beloved heroines. This quirky and delightful film is a testament to the enduring appeal of Austen's stories and characters, and it left me thoroughly enchanted and entertained from start to finish.

"Emma" is a 2020 period comedy-drama film based on the classic novel by Jane Austen. The film follows Emma Woodhouse, a wealthy and well-meaning matchmaker who loves to meddle in the lives of those around her. As she attempts to set up her friend with a local gentleman, she learns important lessons about love and friendship, while also recognizing the true worth of the people in her life.

Emma, the character, played by Anna Taylor-Joy, is a young and fresh interpretation of the infamous character. She Taylor-Joy beautifully portrays the sarcasm and irony that the character so famously uses. Furthermore, she not only matches the funny sides of Emma like when Emma walks down a road, knowing that Harriet friends are watching her, but she also catches and portrays the serious parts, making them tense and even sad without breaking Emma.

The exceptional performances of the talented cast in "Emma" bring the beloved characters of Jane Austen's novel to life in a truly unforgettable way. Johnny Flynn's portrayal of Mr. Knightley is a standout performance, capturing the character's wit and energy with remarkable ease. His presence on screen exudes tension, keeping the audience on the edge of their seats. Mia Goth delivers a stunning performance as Harriet Smith, portraying the character's naive and childlike demeanour with striking authenticity. Her character feels like a true embodiment of Austen's writing, coming to life in front of our eyes. Bill Nighy's portrayal of Mr. Woodhouse is an absolute delight, as he takes a character that could have been considered useless and turns him into an uproarious caricature of Austen's writing. His performance is a masterclass in comedic timing and adds a refreshing layer of humour to the film. Overall, the cast's performances in "Emma" are a true testament to their skill and the timeless appeal of Austen's characters.

Despite the film's admirable attempt to condense the beloved novel into a more concise narrative, "Emma" can feel at times like a rushed and exaggerated version of the story. While it wisely omits the longer and often tedious parts of the book, it occasionally sacrifices nuance and depth for the sake of pacing. As a result, some character motivations may feel abrupt or caricature-like, which can be jarring for those who are familiar with the original work. However, this streamlined approach made the film highly watchable and thoroughly enjoyable as a comedy, and I personally found it to be a delightful and refreshing take on Austen's classic tale. The film captures the humour and wit of the novel and presents it in a visually stunning and highly entertaining way, making it a must-watch for any Austen fans or fans of romantic comedies in general.

The dialogue in "Emma" is undoubtedly one of the film's strongest assets, perfectly capturing the wit, charm, and social commentary that makes Jane Austen's work so beloved. As someone who has read the book, I was thrilled to see the dialogue translate so well to the screen, as it felt like I was stepping into the pages of the novel itself. The dialogue is both funny and well-paced, keeping the audience engaged and entertained from start to finish. The talented cast delivers their lines with such skill and nuance that it's impossible not to be swept up in the clever banter and sharp observations. Overall, the dialogue in "Emma" is a true delight, and it's clear that the filmmakers took great care to preserve the spirit and essence of Austen's work, making it a perfect adaptation for fans of the novel and newcomers alike.

The cinematography in "Emma" is truly breathtaking, showcasing the stunning scenery and intricate details of the Georgian-era setting. The camera work is carefully crafted to capture the lavish costumes, exquisite architecture, and lush landscapes, creating a visual feast for the eyes. Thanks to the masterful cinematography, I found myself fully immersed in the film's world, admiring its beauty and elegance in every scene. The use of soft lighting and pastel colors gives the film a dream-like quality that adds to the overall enchanting atmosphere. The camera work also adds depth and nuance to the characters' performances, allowing the audience to connect with them on a more emotional level. In short, the stunning cinematography of "Emma" made the film all the more enjoyable, elevating it into a truly magical and unforgettable experience.

In conclusion, "Emma" is a delightful adaptation of Jane Austen's beloved novel that will charm audiences with its witty dialogue, charming characters, and stunning visuals. While it may not be a perfect adaptation and some viewers may feel that certain aspects of the story were rushed, the film makes up for it with its beautiful cinematography, talented cast, and engaging storytelling. Whether you're a fan of Austen's work or simply looking for a fun and entertaining romantic comedy, "Emma" is a must-watch film that will leave you feeling enchanted and thoroughly entertained. And for those who haven't yet read the book, the film is an excellent introduction to Austen's captivating world of love, manners, and wit. Overall, "Emma" is a triumph of cinema and literature, and it's a true joy to experience in either medium.

"Emma" may depart from the dramatic and romantic tone of my favourite Jane Austen adaptation, "Pride and Prejudice." Still, it is a thoroughly enjoyable and entertaining film in its own right. From the gorgeous cinematography to the sharp dialogue and the stellar performances from the cast, there is so much to love about this adaptation. While it may not be for everyone, I found myself thoroughly charmed by the quirky and playful tone of the film. I will be re-watching "Emma" in the future. I would highly recommend it to anyone looking for a fun and light-hearted romantic comedy with a dash of Austen's signature wit and charm.

A good idea, a bad execution - The Emissary by Yoko Tawada

The Emissary, a short exploration into the “What Ifs” of the destruction of the world by climate change and human destruction of the world. So What if a whole country was closed down and had to become completely independent? Well, I still don’t know, but good question. The Emissary is not the book to get answers rather, it is the book to ask questions, and never to resolve them.

Japan, closed down from the rest of the world. Yoshiro, a very old man who never dies. Mumei, a young child too weak to take care of himself. And, a world too weak to survive much more time. A great set of characters and an amazing setting but Tawada, having this incredible idea, completely wastes this. She never goes deep enough to really explore the themes and the possible consequences of a world that is so broken that children grow with no strength.

Firstly, the characters. Maybe the biggest strength of the book, Yoshiro and Mumei’s differences make them stronger. Yoshiro is stuck in his time, trying to understand a new world where his great-great-grandchild is as weak as a flower. He becomes his solemn protection in a cruel and dangerous world. While the rest of the elderly people work for the young trying to stabilize life. Mumei, on the other hand, is happy with being alive. He is quite the opposite of what Yoshiro is. His positive character makes the entire book feel like a drop of optimism in a terrible world.

Secondly, the writing feels weak and unexplored. Constantly I was thrown into information that although interesting, it was a dump. A single train of through that the reader felt into without really realising. It felt like the author was making a terrible attempt into a multitude of ideas and a lazy attempt of throwing ideas.

In light of my thoughts and the experience of the book, I would not recommend it to a lot of people. Yes, the ideas were creative but, if such a short and lazy attempt is what is thrown into the book, it makes me rather hesitant to name it a piece of literature.

Watching Books: Pride and Prejudice

Often we read books and wonder what our life has become. We think about the story repeatedly and decide that we do not have enough with just the words the book gives us. We want to experience what those characters had experienced, we want to live their lives, or we want to watch the scenes play out. So, we turn to films where you can watch your favourite characters come to life and those scenes you love from your favourite books. Sometimes the actors might portray perfectly; sometimes, it doesn’t go well. I have decided to start a new page on my blog where I will review from a bookish perspective all those films that come from my favourite (or not so favourite) books, starting with Pride and Prejudice (2005).

To start Watching Books, I wanted to start with one of my favourites, possibly my favourite, film adaptation. Pride and Prejudice is one of those films I can watch a thousand times, even back to back, without ever getting bored. I have watched this film maybe 20 times, making it one of my favourites. This film has even beaten the source material.

"Pride and Prejudice" is a 2005 British romantic drama film directed by Joe Wright and based on the classic novel of the same name by Jane Austen. The film follows the story of Elizabeth Bennet (played by Keira Knightley), the second eldest of five sisters from a modest family in rural England during the late 18th century. When a wealthy and eligible bachelor, Mr Bingley (played by Simon Woods), arrives in town, Mrs Bennet (played by Brenda Blethyn), Elizabeth's mother, is eager to secure a husband for one of her daughters. Bingley soon becomes interested in Elizabeth's elder sister, Jane (played by Rosamund Pike), and begins courting her. However, Bingley's friend, Mr Darcy (played by Matthew Macfadyen), initially shows little interest in the Bennet sisters, particularly Elizabeth. As the story unfolds, Elizabeth and Mr Darcy engage in witty and sometimes heated exchanges, revealing their pride and prejudices towards each other. However, despite their initial dislike, they eventually come to realize that their first impressions were misguided, and their feelings for each other begin to change.

Firstly, Keira Knightley portrays Lizzy Bennet as no one could, she not only does that, but she shows how much she shines in historical pieces, making her one of the best actresses in the film. Matthew Macfadyen makes Mr Darcy come to life in the most beautiful way possible. He brings emotions to emotionless scenes where characters might not be saying anything, but with his eyes and energy, he expresses as much emotion as he does when he speaks.

Even side characters are incredible. From Lizzy’s mother to her sisters and father, they all become integral to the romantic story, where you root for them, hate them, and even see yourself in them.

The storytelling is superb. It tells the story with much more than the character’s dialogue. It is visually stunning, making it one of the most beautiful films in history. The book, which everyone loves, becomes a visual representation that creates a perfect translation but also creates a completely separated world from the book where you also want to be.

Finally, the music. Even if you are not enjoying the film, Jean-Yves Thibaudet will make you listen to his beautiful work of art. It tells as much or even more story than the film itself. It’s moving, it’s real, it makes sense, and it fits perfectly with the visuals in the film. I think that the film would be nothing without the music that stunningly puts everything together in one of the best representations of a book ever.

I read my first Tolstoy, here are my thoughts.

In preparation to reading Anna Karenina and War and Peace I wanted to first read a short Tolstoy book. But I was not expecting to like this one as much as I did. I read the Death of Ivan Ilyich.

This book is short. So much so that I wad able to read it in just a few hours. But it was filled with absolute truth and pain and beauty that I could not reading.

From the very beginning you know that Ivan Ilyich story ends in his death. From there, Tolstoy develops the how and more painfully, the why. Ilyich’s story is painful, he suffers from a chronic and fatal illness that will kill him but will also make his time on earth painful.

His monotonous life is filled with absurd doctor visits, inconvenient conversation and just the wait of death. For a time that is all there is; waiting death. Ivan does not want that, he wishes to survive. But he won’t. Death is inevitable.

And the realisation of death is more painful that the illness he suffers.

This book filled me with so much dread that it struck me with reality. We are all going to die. Some of us will suffer and that is reality.

It was a beautiful novel that will be with me for a long time. Tolstoy has already become a new favourite author, telling me a story of the inevitability of death and the unjust truth of life.

The confusing Shadow of the Wind - Carlos Ruiz Zafón

Let me preface by saying: I read this in the original language and I’m from barcelona. Also I don’t really like historical fiction set in the Spanish civil war nor do I really like mystery. It was given as a gift so… I read it.

Good things

Barcelona: as someone who lives there, I loved the description and how the city lived up to the reality of it. It acc felt like I was in the streets described. Which is funny bc I’ve acc been there. So it felt nice to have a beautiful representation of my city.

Writing: not as bad as some ppl are describing it to be (but it’s no dickens or dostoesky)

Bad things

Every single person is just conveniently happy enough to talk to the mc about Julián plus everyone knows something about Julián and the info never coincides. Also everyone is just happy to just tell this random kid about their entire history, life, problems…??? Like what. There’s even a point in the story where one of the characters SEEKS THEM OUT TO TALK TO THEM. He resists for a millisecond but agrees to talk to them FOR A LEMON CARAMEL. Don’t get me wrong sugus are classic candy. BUT LEMON FAVOUR?!

Secondly and the biggest downside about this book: the INFO DUMPS. Instead of showing us, he literally told us about every single thing ab this mystery. There were pages and pages and pages and pages of just info dumping form those ppl who just knew everything ab Julian. It’s ridiculous. There’s even a point towards the end of the book that there’s a letter just telling us ev ab the mystery. It’s 100 pages.

I hated the info dumps so much. It was boring and it felt like lazy writing. It is lazy writing.

Thirdly: the mystery.

It feels like the author wrote the story of Julian then added Daniel as an afterthought. I don’t know how to describe it but both stories felt extremely disconnected.

Fourth: the info dumps. I cannot stress enough how fucking annoying the info dumps were.

Fifth: the mystery was quite obvious. I figured out the ending by like page 100. And, I did not care enough ab the characters to acc care ab the mystery.

Anyways. By no means is this the worst book ever out there. The thing is, it’s a pretty well known author so I’m going to put him on the same standard as I would with similar types of narratives.

I’m sure ppl out there are meant to read this book. Heck my friend who gave it to me loves it. But it wasn’t for me. And tbh I hated it.

Let’s not fucking forget ab the fact that because Clara reject Daniel her karma is to be ugly and have a bad life. Em what.

Oh yes, let’s not forget about the amount of sexism there is in this book.

Woman as a character? Love interest and no personality.

The cosiest romance - The Very Secret Society of Irregular Witches by Sangu Mandanna

Once in a while I start dreaming about the perfect cozy romance but I have never been able to find it. Until now.

The Very Secret Society of Irregular Witches follows our main character Mika Moon who is a witch who belongs to a club of witches who meet every three months. One day she receives a message from someone who needs a witch tutor to teach witchy things to three young witches. Eventually she accepts and finds herself in Nowhere Home where she falls in love and finds her new family.

That is the entire book, yes, it’s that simple. I might be missing a few things but that is what it’s all about. The novel is not super exciting or the most romantic thing ever. But what it is is cosy.

The writing is so funny and quirky and just amazing that it just makes you want to curl up with a blanket and tea and read the entire day.

The romance in the book is not mind blowing and if you are looking for a very spicy book, this is not for you.

This is a book for all of those who love something with a lot of passion because the way Mika loves magic is just incredibly heartwarming. This is also for those who love The House in the Cerulean Sea by TJ Klune because it has very similar cosy vibes.

The characters are not perfect, they are quite simple but they are good enough to keep the story going.

Although it is not the perfect book, it’s the best cosy romance.

The top 10 books I’ve read in 2022

So, recently I wrote about the worst books of 2022, now I think it is time to introduce the best books I’ve read this year. I have found some of my new favourite books and I can happily say that this has been a very good year of reading for me. Hopefully you can find a book you are interested in and maybe read it next year!

1. Open water - Caleb Nelson

   This is not in any particular order, but I did want to start with one that really changed my mind about romance. Open Water is a romance, but it is also a commentary on Black people in contemporary London, delving into their experiences and challenges. And I must say, it was absolutely wonderful. The way the author intricately weaves together the themes of love, identity, and societal issues is truly commendable. It's one of the best writings I have ever read, captivating me from the very first page. Through its compelling storytelling, Open Water showed me that romance can be much more than just a feel-good genre. It can be thought-provoking, shedding light on important issues, and leaving a lasting impact on readers. It beautifully portrays the complexities of relationships, serving as a poignant reminder that love and its complexities are not confined to any particular race or culture.

2. Cain - José Saramago

   I was completely surprised and amazed when I stumbled upon the works of José Saramago, a renowned and remarkable Portuguese author. One of his masterpieces, aptly titled "Cain," not only delves into the familiar biblical tale of Cain and Abel but also takes readers on an imaginative and thought-provoking journey. Saramago's distinctive writing style captivates readers and elevates the storytelling experience to a whole new level. His ability to seamlessly blend elements of fantasy, philosophy, and social commentary is truly unparalleled. If you haven't embarked on a literary adventure with Saramago yet, I wholeheartedly suggest beginning with the enthralling pages of "Cain." It is an ideal starting point to explore his vast literary repertoire and experience the sheer brilliance that emanates from his pen.

3. The Count of Monte Cristo - Alexandre Dumas

   The epic story about vengeance, love, and hatred is a classic for a reason. Its length may seem daunting at first, but every page is filled with enthralling adventure, heart-pounding drama, and moments that are just pure fun. From its captivating opening scene to its breathtaking climax, this epic tale takes readers on a truly unforgettable journey. The intricate plot weaves together the complexities of human emotions, exploring the depths of vengeance and the power of love. As you delve deeper into the story, you'll find yourself forming a deep connection with the characters, their struggles, and their triumphs. The richly imagined world in which this tale unfolds is brought to life through vivid descriptions, transporting you to a time and place that feel both familiar and unknown. So, while the length of this classic may be intimidating, the rewards it offers make every page worth the adventure. Whether you choose to savor it slowly or devour it in one sitting, this book guarantees an experience that will stay with you long after you've turned the final page.

4. Tomorrow and, Tomorrow and, Tomorrow - Gabrielle Zevin

   This has been everywhere this year for a reason. It is a love story, but not just any ordinary romantic love story. It delves into the intricate and often complex dynamics of family and friendship, while simultaneously exploring the profound connection and affection that can be found in the world of art. Surprisingly, what captivated me the most was the fact that this book centers around video games! As someone who has never been particularly interested in gaming, I never could have predicted that I would derive so much enjoyment and fulfillment from a story that involves this digital realm. It goes to show that sometimes the most unexpected subjects can hold the most profound and universal themes.

5. The Lying Life of Adults - Elena Ferrante

   It was hard to choose between this book and the other Ferrante book I have read this year (The Lost Daughter). However, I think this one takes the win. It is an epic story about feminity and family, delving deep into the complex dynamics that shape our lives. Ferrante's writing has a hypnotizing effect, pulling the reader into a world where time seems to stand still. As I immersed myself in the pages, I forgot everything that was going on in my own life, completely captivated by the characters and their journeys. It's a testament to Ferrante's prowess as a storyteller that she can so effortlessly transport us to a different time and place, making the familiar strange and the strange familiar. With every turn of the page, I found myself more and more enchanted by her words, eagerly devouring each chapter. This is a book that will leave a lasting impression, lingering in your mind long after you've finished the final sentence. It's a truly sublime experience, and one that I highly recommend to anyone seeking a powerful and unforgettable read.

6. Despair - Vladimir Nabokov

   I have read a remarkable total of 6 books by Nabokov within the span of this year, and I must confess that the process of selecting a mere duo to feature on this list has proven exceptionally challenging. However, after much deliberation, I have chosen to highlight "Despair" as my first selection. Within the pages of this novel, I encountered what can only be described as the most masterfully crafted and captivating unreliable narrator I have ever encountered in all my years of reading. Nabokov's ability to immerse the reader in the mind of this intricate character is truly unparalleled, solidifying his place as one of my all-time favorite authors. If you seek a literary experience like no other, I implore you to delve into the genius of "Despair." You won't regret it.

7. The Real Life of Sebastian Knight - Vladimir Nabokov

   Again, I'm feeling rather disappointed that I couldn't include more of Nabokov's incredible novels on this top 10 book list. Although there are other remarkable works by him, I must emphasize that "The Real Life of Sebastian Knight" and "Despair" truly stand out as remarkable works of art. The level of beauty and excitement that "The Real Life of Sebastian Knight" offers through its exploration of the human condition is truly unparalleled. It is a novel that is not to be missed, as it bears the capacity to transport readers into a world of profound introspection and revelation. I highly recommend indulging in its pages and immersing yourself in the captivating narrative crafted by Nabokov.

8. Carmilla - Sheridan Le Fanu

   The OG vampire, Count Dracula, undoubtedly deserves a prominent place on this list. Known as the quintessential embodiment of the vampire archetype, he has captured the imaginations of readers for generations. If you have a deep appreciation for Gothic literature, diving into the world of Dracula is an absolute must. But what sets this novel apart is its unique twist: it's also a lesbian gothic love story intertwined with the realm of vampires. This unexpected combination adds a whole new layer of intrigue to an already captivating tale. So, if you're yearning for a thrilling blend of romance, darkness, and mystery, Dracula's tale awaits you with open arms. With its rich atmosphere and captivating characters, this literary masterpiece is sure to leave you spellbound.

9. Rebecca - Daphne Du Maurier
   Immerse yourself in the dark and haunting world of this captivating and timeless gothic masterpiece. With its intricate and chilling storyline, this classic novel never fails to send shivers down your spine. Prepare to embark on a thrilling journey through the pages as you encounter a nameless narrator, whose mysterious identity adds an extra layer of suspense and intrigue to the narrative.
   Step into the house that lies at the center of this gripping tale. Feel your heart race with anticipation as you explore its eerie hallways and uncover its long-held secrets. The perfectly crafted suspense will keep you on the edge of your seat, eager to solve the enigmatic puzzles that lay hidden within each room.
   Get ready to lose yourself in the allure of this house, as you become captivated by its dark charm and see beyond its mere bricks and mortar. Experience the palpable excitement coursing through your veins as you delve deeper into the story, desperate to unravel the haunting history that has left an indelible mark on this place.
   Every turn of the page brings a newfound intensity to the thrilling plot, leaving you breathless with anticipation for what lies ahead. The author’s expert storytelling and keen attention to detail paint a vivid landscape that feels tangible, almost like you're standing in the presence of the nameless narrator, experiencing their fear and fascination firsthand.
   If you're a fan of gothic literature or simply enjoy the suspense and atmosphere of a brilliantly executed thriller, this novel is a must-read. Prepare to be transfixed, engrossed, and utterly enthralled as you uncover the sinister secrets that lie within the pages of this hauntingly beautiful tale.

10. Stoner - John Williams

    And finally, my favourite book of the year is "Stoner." This novel truly exceeded all my expectations and took me on an emotional journey like no other. It's a beautifully sad tale that resonated deeply with me, evoking an abundance of tears. "Stoner" is not just a story about a man; it delves into the complexities of life and celebrates the power of literature in shaping our existence. Every sentence in this book feels like a brushstroke on a canvas, meticulously crafted to create a work of art that is nothing short of perfection. It's a masterpiece that will linger in my heart for a long time to come.

The Worst Books I’ve read in 2022

With just a few days until Christmas and two weeks until the new year, I have started reflecting on the books I have enjoyed this year out of the 90 books I’ve read. And although I have read some brilliant pieces of literature, there have been some that have made me angry, disappointed me or just have been wrong. Here is a list of books that I do not recommend you give as presents to your loved one, and I do recommend you do to your enemies.

1. Princess of Souls - Alexandra Christo

   As I have spoken before in this blog, this book was the year's biggest disappointment. From the lack of character development and just a boring plot, this was an outstandingly easy 2-star review from me.

2. Galatea - Madeline Miller

   Although the writing in Galatea wasn’t too bad, this one was just a work of rubbish. It felt like a waste of time on my part and a brilliant way to get money from those who did enjoy Miller’s other stories. Galatea isn’t the best Greek mythology out there so do not waste your time reading it.

3. The Love Hypothesis - Ali Hazelwood

   Oh, TikTok, you have done it again. You have failed me. A genuinely boring and disappointing read that although it took me from my surgery recovery misery, it just created a new misery all on its own!

4. Franny and Zooey - J.D. Salinger

   I genuinely love the Catcher in the Rye, but this book felt way too self-absorbed and self-involved.

5. The Cat Who Saved Book - Sosuke Natsukawa

   The message behind this book was sweet and moving; however, the execution… I felt like I knew what this book was trying to do, but I also felt like it was trying to create a new Petit Prince, and it just didn’t sit right with me.

6. Brave New World - Aldous Huxley

   Am I the only one who doesn’t like this book? I did not enjoy the writing; however, the classic does have a fantastic ending so I will give it that.

7. How To Kill Your Family - Bella Mackie

   This was murderously boring. From the most extended chapters, I have ever read to the most boring descriptions to a book that should have been fun!

Hopefully, you get an idea of what books to buy for your enemies!

Dostovoesky at his sweet short spot - White Nights and Notes from Underground

I think that long books are great. They have more space to develop characters, thoughts and plots. But sometimes short books are also great. White Nights and Notes from Underground are great novels to get into your Dostoevsky era.

White Nights

A sweet short novel about unrequited love. A sweet story about love that develops into an inner monologue about guilt and restlessness. What I love about this one is that it’s a great introduction to what will be other longer novels by the same author. Crime and Punishment, for instance, is an excellent psychological thriller. White nights feel like a similar inner monologue. You feel like you want to save this person who keeps getting into deeper and deeper trouble.

Furthermore, it is just great fun. You feel like this story could happen to you even though it is completely dramatic and exaggerated, and it feels, to a point, complete fantasy. How could someone fall in love with a stranger and then that stranger turns their back on them in such a short time?! Well, you feel like you are that same narrator. And you can’t stop yourself from feeling the same pain and the same love for this stranger. Even if it makes no sense.

Notes from Underground

This is slightly more experimental. Still a very psychologically centred story but in a less amorous way. I connected with this one on a more personal level. It takes place, again, in the mind of our narrator. This time he is dead. This time the narrator takes us through a horrible inner monologue about trying to fit in and be understood while being wholly immature and horrible at it. The narrator is painfully oblivious to people not liking him while still trying hard not to be liked. He is the quintessential pick-me.

I loved this one because I could see myself in this terrible narrator. I could see myself when he is trying so hard to fit in without managing to do so and simultaneously being so terrible to the people around him.

Both books are books to be enjoyed in a very short time. You can connect deeply with both narrators, and you can see yourself in them. You will see your flaws reflected in their flaws, and you will surely want not to be them.

Where is the lying life of adults? - Elena Ferrante

Once upon a time a girl was called ugly by her own father. That changed everything for her. 

The lying life of adults follows our main character Giovanna a young girl who is struggling with growing up and becoming a young woman. Meanwhile, she is struggling with her parent’s struggling relationship, her bizarre friendship with her best friend and her sister and at the same time she is reconnecting with the evil but loving Vittoria, her aunt. 

Ferrante’s writing is truly a work of art. She can write the most disturbing things or the most real things with life and beauty. You could really feel Giovanna’s rage, disappointment, sadness and embarrassment on herself and her family. I felt everything that she was feeling and it felt so real that I felt along side her. 

Giovanna as a character is fantastically written. She truly comes form growing up as a woman in a world where being a woman can be so hard. How it is to grow up in societal standard and the male’s gaze as well as the men that exist around you. How unfortunately it is quite impossible 

Vittoria is another perfectly written character. She might be my favourite character. She is. She is wrong, ugly, angry, mean and terrible. But she is also wonderful and loving. She is the most complicated character I’ve ever read. She seems like she is one thing but she quickly turns around and is a totally different thing. She has layers to peel and that are slowly and carefully and with craft peeled through the book. But by the end of it you still don’t know what and who Vittoria is. Ferrante creates a hero and a villain all in one. 

The rest of the characters are also wonderfully crafted. Giovanna’s mother and father, friends and her parent’s friends. They’re all filled in depth and are crafted with a lot of care. 

The plot itself is complicated and although it doesn’t necessarily take us anywhere, it’s still filled with life. It takes us through a very important time in Giovanna’s life. When she grows up and when she discovers how adults are not perfect but rather children who are just a bit older than you. They lie, they make mistakes and they are sometimes terrible. 

I loved this book, I truly did, I fell in love with Giovanna’s story about growing up and sexuality and sex and family and love. And I wish this touches many others people’s hearts. 

Everything wrong with The Princess of Souls by Alexandra Christo

Let me preface by saying that I love To Kill a Kingdom by Alexandra Christo so no hate for her or her works. But, with that said, this book was not as good as the other book I read, and I will go as far as to say that it wasn’t good.

The Princess of Souls takes place in the same world as her other book, however, that doesn’t affect the plot nor the characters, so I will not be talking about the world-building or the relations between the two books. I do believe that it was used as a marketing strategy to those (like me) that had loved her first book because there were only two mentions (that I could find).

Also, furthering the fact that this was a marketing strategy, it was marketed as a Rapunzel reimagining, but I do not believe it had anything to do with the original story of Rapunzel, the only thing is that for 30 pages the main character has long hair, and she is stuck in a castle but soon in the story she leaves.

Selestra is a witch, and when she touches people, she sees their death. Nox is an army officer, strong, handsome, sarcastic, and 16?! (I’ll get back to their age in a second). Selestra’s mother is the king’s witch, and they have not been close since they killed Selestra's mentor, who is also Nox’s father. After a series of events, Nox and Selestra end up together trying to save the world, basically. Nox saves Selestra, and Selestra saves Nox, trying to find the ultimate weapon to kill the evil king, who is trying to kill them because Selestra is a traitor to the crown, and Nox is trying to kill him. They explore the world together, running away from death and the king. Oh yeah, they both have sidekicks, Micah and Irenya, who I’ll talk about further on.

Here are my book-sins:

Where are their parents?

Why in god’s name does every single YA character have to be 16?! They are getting almost killed, talking about forever love and talking about being kings and queens. And they are the best warriors in the world! Usually, YA book characters don’t bother me, but in this case, I hated it.

Why do Micah and Irenya exist?

This is my biggest problem. Every YA main character has to have a best friend, I don’t know why that is, but they always do. This book shouldn’t have sidekicks. We know nothing of them, who are they? I have no idea. What do they do? One makes dresses, the other one whines over and over again about Nox always getting killed. What do they do in the story? Absolutely nothing.

Furthermore, they never talk. I think you could the number of lines Irenya says with one hand. Micah might have more lines, but all of them will be about Nox almost being killed. The characters might be there and say nothing in so many scenes. The thing is, their non-presence was bothering me the entire time. Christo should not have added these two characters because as a reader it just felt like she had added them and then forgotten them, creating a rushed, flawed story.

I completely forgot about the enemies-to-lovers trope.

I even forgot that there was a romance trope. I know it’s YA, and I am not asking for smut not too much romance but, why add it if it doesn’t exist

I did not care for the mother

The entire book was setting up to be a very good character growth for the mother. Christo kept looking back into Selestra’s memory of when her mother was kind and good to her. I was looking forward to a good resolution. Not a happy ending for her mother, but maybe something that would make us feel fulfilled with their relationship. What did I get? Just a look from her mother as she died.

What happened to Micah?

Again, what the hell did Micah do in the story? Nothing! So his death has no effect on the story or the readers.

Finally, I wish I had enjoyed this better because I was genuinely excited about this release. Hopefully, her next book is better, but sadly I will not be reading it.

A short wonderful book; Bonsai by Alejandro Zambra

When you find a book that blows your mind, you wonder why you haven’t seen it everywhere. Bonsai is one of those books.

A short story on love, loss and human connections. Zambra captures perfectly what it is to be human, what it is to be alive and what it is to meet someone and to connect with them. Although there isn’t much of a plot, his words are ones to remember.

Two Chilean students, Julio and Emilia, seek human connections, literature and sex. Julio’s story ends quickly, but he’s still alive, and Emilia’s story, although longer, still shorter than Julio’s. Both explore who they are side by side, drifting apart as life goes on.

This blew my mind because it captured the human mind differently. It is not trying to be too profound or complicated, it’s trying to show Emilia’s and Julio’s complicated identities and relationships through words that feel like each beat of the heart, life going on and on.

I want to share this book and I want more people to read it and to experience the beautiful words.

In conversation with Lolita - My Dark Vanessa by Kate Elizabeth Russell

Lolita by Nabokov is a book that everyone knows about. Everyone knows about Humbert Humbert and Lolita, but what about Dolores Haze? Dolores Haze is better known as Lolita, but that is what HH called her, but we just know what HH was narrating about. So, what about the story of Dolores? What about her narration? What about her experience? Well, the closer we can get to that is by reading My Dark Vanessa, the book written from the point of view of a Dolores Haze, the victim.

Vanessa is 15 when she enters a relationship with her English teacher, Shade, she thinks it’s love, that he treats her amazingly, cares for her, and loves her. Years later, another student from her school comes out with an accusation to the same English teacher. What does that mean? Is he an abuser? But that’s impossible, they had a perfect relationship, it was her first love, this girl must be lying. But, more and more accusations arise, and she still doesn’t understand how her first love could be accused of such horrible things.

My Dark Vanessa is placed in two-time frames, during her relationship with her teacher and years later, during the #metoo movement. As in Lolita by Nabokov, this is too an unreliable narration. Humbert Humbert told us about how much Lolita was for him, and Vanessa believes mostly the same things. Through the narrative, you understand that not everything is as Vanessa's things nor how Shade believes it happens.

Kate Elizabeth Russell writes incredible characters with layers and layers of pain and trauma. When you read Vanessa’s experience, you feel there is so much more to the story than she believes matters. Slowly, you start to understand her relationship with the fact that she had been abused by the person she had thought she had been loved by. And quickly enough, you start hating Shade.

Equally, Shade is a very well-written character. He also has layers to him, many of which we get to discover in the book and others that we assume are there. I hated him, he had me angry, sad and honestly terrified of how many might be out there.

Furthermore, the writing in this book infuriated me. Because it was so addictive, but equally disturbing. I wanted to keep on reading, and I couldn’t stop, but I was so angry at the story, of how it made me feel about what I had to experience.

Lolita, the book, is mentioned many times during the book, drawing a perfect parallel between that story and Vanessa’s as well as the experience of the abuser and the victim.

I am so thankful this book exists and I got to experience it after having had read Lolita. I am also this book exists for those who experience Lolita and believe that Dolores also deserves a book.